THE WHIPPING MAN • The Black Rep

Matthew Lopez's intriguing play about a Jewish family of sorts premiered in 2011 off-Broadway and garnered Lucille Lortel, Obie and Outer Critics Circle Awards, and it's getting a powerful production in its St. Louis premiere at the Black Rep.

Inaugural St. Louis Theater Circle Awards

Here they are folks, the nominees and award winners for the inaugural St. Louis Theater Circle Awards!  (Another organization in town owns the rights to the name "Louie's", so yeah.  We had to change that!)

Congratulations to all of the nominees and award recipients!

COMEDY

Outstanding Acting Ensemble

Jacob and Jack, New Jewish Theatre

The Comedy of Errors, The Rep

The Divine Sister, HotCity Theatre

The Foreigner, The Rep

The Violet Hour, Max & Louie Productions

VENUS IN FUR • The Repertory Theatre of St. Louis (Studio Theatre)

Venus in Fur, under Seth Gordon's flawless direction, is currently searing the Rep's Studio stage.  Taking a look at sexual power dynamics with sharp wit, humor and a slightly surreal tone, this Tony nominated play will keep you wrapped around its finger from the start to its satisfying conclusion, and leave you wanting more.

Vanda (Sarah Nedwek) is coming in late for an audition for the play, "Venus in Fur".  Thomas (Jay Stratton), the arrogant director/playwright, is frustrated at not having found the right woman for the part, and after ranting about the "bubble heads" he's had to audition, he's finally preparing to head home when Vanda bursts in, drenched and frazzled from the storm outside.  She immediately plunges into an indelicate barrage of excuses for her tardiness, thinking she's blown it.

BOEING-BOEING • Dramatic License Productions

You know it's a farce when you notice that the set has 6 doors, am I right?  This one, written by French playwright Marc Camoletti debuted in 1960's Paris and the translated version came to the states in 1965.

Bernard (Chad Morris) is a successful American architect living in Paris.  The play opens with Bernard seeing off his fiancée Gloria (Deanna Mazdra), an airline hostess from Texas.  Or trying to see her off.  She's not in a big rush to leave her husband-to-be, but Bernard seems anxious.  See, Bernard has 3 fiancées, all of them airline hostesses, and naturally, they have no idea about the other women.  In addition to Gloria, there's the lusty Italian, Gabriella (Natasha Toro), and the aggressive German, Gretchen (Emily Baker).  He keeps everything straight by flight timetables.  (Silly Bernard…)  He's convinced that keeping up with the flight schedules, he'll be able to juggle his "international harem".  Helping him keep everything running smoothly is his poor maid Berthe (Kim Furlow).  Her value is wrapped up in her ability to remember what the different women like to eat, and to change the pictures in the bedroom whenever they're in town.

NEXT TO NORMAL • New Line Theatre

Next to Normal had its Broadway debut in 2009 and won three Tony Awards and a Pulitzer Prize for Drama.  While it's not exactly your standard musical theatre fare, this hard driving rock musical (the second act, in particular, is practically a rock-opera) focuses on the mental illness of a suburban mom and her family -- coming apart at the seams as a result.  The national tour came through St. Louis in 2011, and New Line Theatre presents it in its St. Louis regional premiere with scorching intensity, dotted with dark humor.

The mother at the center of the story, Diana Goodman (Kimi Short), was diagnosed with manic depression sixteen years ago, and has withstood a battery of treatments administered by her doctors, Dr. Madden and Dr. Fine (Zachary Allen Farmer).  Everything from different pharmaceutical cocktails to electroconvulsive therapy to hypnosis, and none of them seem to do much good.  Her husband Dan (Jeffrey M. Wright), as tortured as he is, is also supportive -- desperately trying to hold the family together.

BRIEFS: A Festival of Short LGBT Plays • La Perla

That Uppity Theatre Company, along with the folks at The Vital VOICE are back with the 2nd Annual installment of Briefs: A Festival of Short LGBT Plays.  The plays featured this year (and in the interest of full-disclosure, I was on the reading committee) are better than last years', covering a range of LGBT-related topics that nicely integrate these issues within the backdrop of everyday life, as opposed to beating you over the head with it "public service announcement" style.  There are comedies, dramas, and something for everyone -- gay or straight.

THE BOOK OF MORMON • The Fox

I admit -- at one point I doubted that this show would ever come to St. Louis.  I saw it a couple of years ago in my favorite city and thought it would be too controversial.  But hey, look at me with egg on my face!  It's here, and I think you should try to get tickets.  ASAP.

This blog will be a bit of a quickie because I blogged about it in NYC. (and you can read that here…), but let's go over some broad strokes anyway, shall we?

Winning a slew of awards in 2011, The Book of Mormon offended many, but proved to others that the creators, Matt Stone and Trey Parker, best known for their animated series, "South Park", know a little something about musical theatre.  Following the story of a couple of squeaky clean, young Mormon missionary trainees serving their time in Uganda, The Book of Mormon can be brash and blasphemous, yet the structure of it seems so "textbook book musical" to me.  Right?

PSYCHO BEACH PARTY • Stray Dog Theatre

High camp is in store for those who check out Stray Dog's latest offering, Charles Busch's Psycho Beach Party, that debuted off-Broadway in 1987.  This lively romp fuses those old beach blanket surfer flicks with a little Alfred Hitchcock, and because it's Charles Busch, there's some drag thrown in for good measure.  Hooray!

Chicklet Forrest (Ben Watts) wants to be a surfer girl on the 1960's Malibu beach scene, but everyone sees her as just a kid.  In addition to this, she's got a little multiple personality issue.  Her most formidable personality is called Ann Bowman -- a femme fatale type out to bring everyone she meets under her sway.

At the start, while Chicklet is hanging out with her friends, the blonde sex-kitteny Marvel Ann (Suzanne Burke), and best buddy, the rather dorky Berdine (Anna Skidis), they meet Kanaka (Paul S. Cooper), the cool kid of the Malibu surf, and his pals, Star Cat (Zach Wachter), a psychiatry student turned surf-bum, and surfer hangers-on, Provoloney (Jake Ferree) and Yo-Yo (Paul Edwards) -- these two are too busy denying the feelings they have for each other.  But none of them take Chicklet's surfing aspirations seriously, until her alter-ego, Ann Bowman, makes an appearance in front of Kanaka.  After a few moments of confusion, this persona gets Kanaka's engines revving.

SPEED-THE-PLOW • New Jewish Theatre

NJT’s third show of its 16th season features its first play by David Mamet -- Speed-the-Plow, directed here by Tim Ocel.  Debuting in 1988, this play, as many Mamet plays like American Buffalo, Glengarry Glen Ross, November and Oleanna do, looks at moral corruption and power -- exploring the dirty underbelly of human nature with rapid-fire dialogue and a generous sprinkling of "f" words.  Love…  In this case, the underbelly involves the big Hollywood movie-making scene and the trade-offs that are made, and what makes those trade-offs seem worthwhile.

Bobby Gould (Christopher Hickey) has recently started a new job as the head of production at a major Hollywood studio.  His friend Charlie Fox (Michael James Reed), who's never been quite as high on the totem pole, has all but secured a Hollywood hit-maker to do a film -- a “prison/buddy” flick, guaranteed to make a butt-load of money for Bobby and Charlie both.  Bobby's agreed to pitch it to his boss and have the studio green light the picture, but they’ve only got 24 hours to secure the deal.  While patting themselves on the back and Charlie dreaming of what it will be like to be a ridiculously rich man, they compare their future hit to a novel that Bob’s boss has asked him to read.  A “courtesy read” before they reject it.  It’s called, “The Bridge or, Radiation and the HalfLife of Society", written by an "Eastern sissy writer".  The novel concerns the end of the world with lofty notions about the decay of civilization.  Charlie and Bobby mock it for being too intellectual and abstract to have the makings of a blockbuster.

MRS. SORKEN & THE DUCK VARIATIONS • Mustard Seed Theatre

Christopher Durang's brief play, Mrs. Sorken, was plucked from a collection of one-act parodies featured in his self-titled,  Durang/Durang, and it kicks off the show, serving as a nice introduction to the second play, David Mamet's, The Duck Variations.

After the pre-show announcements, Mrs. Sorken (Peggy Billo) is asked onstage to address the audience about theatre, its Greek roots and what attracts theatergoers to drama.  Once she realizes that she's lost her notes, she has to wing it, rambling in a free-association kind of way.  She begins with the etymology of the word drama, linking it to its Greek roots, and just about anything else that pops into her head.  She also talks about her own personal theatre preferences, announcing that she doesn't like the "f" word, plays that are over 4 hours, and Shakespeare -- if it's too hot and she has to pay.  Ha!  Little peeks into her own slightly unfulfilled life with Mr. Sorken work their way in as well.

THE GOAT, OR WHO IS SYLVIA? • St. Louis Actors' Studio

Edward Albee is considered one of this country's most influential playwrights, winning three Pulitzer Prizes for Drama.  Who doesn't love Who's Afraid of Virginia Woolf, right?  He's also the author of A Delicate Balance, Three Tall Women, and over roughly 25 other plays.  The Goat, debuting in 2002, is the story of a middle-aged married man who falls in love with another woman, but in this case, the other woman is a goat.  Sylvia the goat.  So, there's that.  Now, many plays about infidelity involve couples who aren't happy to begin with, but Martin (John Pierson), an accomplished architect, and his wife Stevie (Nancy Bell) truly love each other, have both been faithful (until recently) and are completely happy, physically and emotionally, in their relationship.  That is until Martin's carryings-on with Sylvia come to light, shattering his wife and their teenage son, Billy (Scott Anthony Joy).  Buckle up, right?

With a seemingly absurd premise, the play is about more than what initially meets the eye.  Although it's spiked with humor and Albee's razor-sharp wit and dialogue, this play, in the end, shows itself to be about tolerance, trying to examine exactly what the nature of love is, and who gets to decide that, and how it is decided.  The play's sub-title happens to be "(Notes toward a definition of tragedy)".

Inaugural St. Louis Theater Circle Award Nominations

*****UPDATE*****

02.13.13

*St. Louis Theater Circle Awards:  New date, new location!

St. Louis Post-Dispatch...

Many of you folks know that the Kevin Kline Awards, part of the Professional Theatre Council of St. Louis (PTC), a local organization formed with the intention of honoring excellence in St. Louis professional theater, announced their hiatus from the scene last year, and as a result, no Kevin Kline Awards will be presented for 2012.  But, Mark Bretz (Ladue News) and Judith Newmark (St. Louis Post-Dispatch) hatched an idea to let the reviewers in town come up with their own awards.  Truth is, this town is soaked with too many quality productions offered by quality companies to let a year go by with no recognition.  So, the St. Louis Theater Circle was born -- made up of critics who cover theater here.  And personally, I'm honored to have been included.

GOOD PEOPLE • The Repertory Theatre of St. Louis

The Rep. continues its season with David Lindsay-Abaire's sincere and timely look at the underclass.  It centers on Margaret (Denise Cormier), who's a little down on her luck.  Not that she seems to have had much of that to begin with.  But is it luck, circumstances of fate, or a willingness to work hard for what you want?  

Margaret's a "Southie" -- residing in a working class south Boston neighborhood and known as Margie with a hard "g" to her friends.  When the play begins, she has been called out into the alley behind the Family Dollar store where she works by her younger boss, Stevie (Aaron Orion Baker), to be fired.  Margie's been repeatedly late, and Stevie is starting to catch some heat from his boss.  She tries to explain to him that along with the unreliability of public transport, her adult and developmentally disabled daughter, Joyce, requires a sitter when she's away, and her caretaker isn't always on time.

TALLEY'S FOLLY • New Jewish Theatre

Talley's Folly, written in 1979 by Lanford Wilson, takes a look at the reunion of an unlikely couple -- a Jewish accountant and a small town girl from Lebanon, Missouri.

It's 1944, and Matt Friedman (Shaun Sheley) has travelled from St. Louis to Lebanon, MO to seek out Sally Talley (Meghan Maguire) -- a woman with whom he had had a little Summertime dalliance with a year before.  Matt charmingly begins the play, addressing the audience and setting the stage for us.  The story itself is relatively simple.  In the process of reconnecting with each other and overcoming the prejudices of the 40's, and their own vulnerable isolation, we learn about Matt and his determination to see Sally again along with his family's painful past.  An initially chilly Sally also eventually reveals her past as the intended wife in a financially honorable match, and how that unfortunately went down in flames.  They also talk about the boathouse, where all of the action takes place and where they first  met (beautiful scenic design provided by Jason Coale and evocatively shifting lights courtesy of Nathan Schroeder).

STUPEFY! THE 90 MINUTE HARRY POTTER • Magic Smoking Monkey Theatre

If you've never heard of Harry Potter, you may need to get out more.  Suffice it to say that the series of Harry Potter books and the resulting eight films have become a cultural icon.  So naturally, leave it to Magic Smoking Monkey Theatre, that's brought us hilariously condensed versions of Star Wars and The Lord of the Rings, to now present Stupefy!  The 90 Minute Harry Potter.  That's right.  All eight films condensed and accelerated to a riotous pace.