Thursday, February 18, 2016


Stray Dog’s latest production, a two-act play written in 1979 by Peter Colley, has a familiar assortment of promising, hair-raising set-ups. The Sanderson couple, Greg and Jan (Jeff Kargus and Angela Bubash), have retreated to the country so Jan can get a breather from the world after a recent breakdown. Greg seems attentive enough to his wife, who is a little unnerved by the creepiness of the run-down farmhouse where they’ll be staying. A neighboring farmer, George (Mark Abels), full of folksy charm, hearty chuckles, and a supply of ominous stories about vengeful ghosts who supposedly plague the house, comes by every now and then for a spot of whiskey and conversation, but his stories don’t do anything for Jan’s state of mind. To top things off, Jan’s unease is heightened by an imminent visit from Greg’s sister Laura (Sarajane Alverson). Laura shares a tight bond with her brother, but she and Jan have never gotten along.

Greg Sanderson (Jeff Kargus),
Laura Sanderson (Sarajane Alverson)
and Jan Sanderson (Angela Bubash).
Photo credit: John Lamb
The thing is, amidst the heavily telegraphed plot and rising tensions laid out, Colley’s play doesn’t quite pay off satisfyingly. With all of the trappings of a thriller, and some dashes of comedic elements thrown in, the overall tone seems unbalanced and never entirely settles in -- like the beats between comedy and thriller are a little off.

Still, where the script falters, the performances are mostly good. Bubash is fittingly fragile as the nerve-brittled Jan, and Kargus, as her dutiful husband, is amiable, if not a tad exaggerated in his performance on occasion. Alverson doesn’t hide the contempt for her sister-in-law’s weakness, and Abels befits his character's homespun, good ole country boy allure. The creative contributions live up to the task, with Rob Lippert’s scenic design realizing the perfect, spooky old farmhouse, Tyler Duenow’s aptly dark lighting design, along with solid sound design.

Laura Sanderson (Sarajane Alverson),
Greg Sanderson (Jeff Kargus) and George Willowby (Mark Abels).
Photo credit: John Lamb
There are nevertheless chills to be had and mysteries to be uncovered in Colley’s play, and Stray Dog’s troops rally to make the most of a play that is, while enjoyable, a bit patchy.


Written by Peter Colley
Directed by Justin Been
Tower Grove Abbey, 2336 Tennessee Ave.
through February 20 | tickets: $20 - $25
Performances Thursdays to Saturdays at 8pm, Saturday, February 20 at 2pm

Jan Sanderson (Angela Bubash),
Laura Sanderson (Sarajane Alverson)
and Greg Sanderson (Jeff Kargus).
Photo credit: John Lamb
Jan Sanderson: Angela Bubash
Greg Sanderson: Jeff Kargus
Laura Sanderson: Sarajane Alverson
George Willowby: Mark Abels

Artistic Director: Gary F. Bell
Lighting Designer: Tyler Duenow
Costume Designer: Eileen Engel
Production Manager: Jay V. Hall
Scenic Designer: Rob Lippert
Stage Manager: Kevin O’Brien

Friday, February 12, 2016


A library book that’s 113 years overdue sets the action off in Glen Berger’s 2001, one-actor play in NJT’s latest production. Our protagonist, a Dutch Librarian, is determined to hunt down whomever checked out a Baedeker's travel guide in 1873. WAY overdue. A trail of clues propels her (often portrayed as a ‘him’) out of her strait-laced job and off on an existential quest.

Against Kyra Bishop’s spare set with a blackboard, slide projector and screen, and an old suitcase, our Librarian (Glynis Bell), a resolute lover of order who wears her date stamper around her neck like a piece of jewelry, begins a presentation that she’s called, “An Impressive Presentation of Lovely Evidences.” Within the pages of this long overdue travel guide she finds in the overnight slot, the Librarian discovers a laundry ticket from 1913 that willfully leads her to London. Taking a leave from her job, she lingers and follows hints, girded with a gut-level belief that she may have stumbled across evidence of The Wandering Jew -- a mythical figure from medieval Christian folklore. It concerns a man doomed to roam the earth until the second coming -- punishment for his reproach of Jesus on the way to his crucifixion.

The Librarian (Glynis Bell).
Photo credit: Eric Woolsey
The academic demeanor of our Librarian and the heavy underpinnings of the play can result in a little dragging at the start, but as the play opens up, so does Bell. The more we learn about her own life, the more Bell pulls you into the sidecar of her transformative journey, whether along the straight bits, or around unexpected curves and hills.

Only one more chance to see it. Settle in, check it out.

The Librarian (Glynis Bell).
Photo credit: Eric Woolsey

Written by Glen Berger
Directed by Lana Pepper
Marvin & Harlene Wool Studio, 2 Millstone Campus Drive Creve Coeur
through February 13 | tickets: $39.50 - $43.50
Performances Wednesdays and Thursdays at 7:30pm, Saturdays at 8pm, Sundays at 2pm & 7:30pm, Sunday the 31st at 2pm

The Librarian: Glynis Bell*
Musician: Will Soll

The Librarian (Glynis Bell).
Photo credit: Eric Woolsey
Stage Manager: Mary Jane Probst*
Scenic Designer and Artist: Kyra Bishop
Lighting Designer: Michael Sullivan
Costume Designer: Michele Friedman Siler
Properties Designer: Kyra Bishop
Master Electrician/Board Operator: Nathan Schroeder
Assistant Stage Manager/Wardrobe: Becky Fortner

* Denotes member of Actors’ Equity Association, the Union of
Professional Actors and Stage Managers in the United States


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