CAT ON A HOT TIN ROOF • Tennessee Williams Festival St. Louis

TWF’s feature production begins with The Writer, an affably unhurried J. Samuel Davis, making his way down the aisles of the Grandel theatre, addressing the audience with a prologue that’s a combination of the play’s stage direction, and text devised by director Michael Wilson. It’s a clever way to set the scene, literally, as furniture, set decorations and props are brought onstage and placed to the playwright’s clear specifications. Great beginning to some classic Tennessee Williams.

Written in 1955, his Pulitzer Prize-winning three-act takes place over the course of an evening at the Pollitt Family Plantation in the Mississippi Delta, where all of the loved and detested family members are gathered to celebrate Big Daddy’s 65th birthday. This is the perfect setting for Williams to do what he does so well - to lay bare life’s knotty truths, and examine how his characters respond, with no punches pulled.

AS YOU LIKE IT • St. Louis Shakespeare Festival

An hour-long rain delay wasn’t enough to daunt the opening night crowds at 

St. Louis Shakespeare Festival’s charming production of As You Like It. All the hallmarks of a Shakespearean romantic comedy are there - sibling rivalries, gender-swapping disguises, unrequited love, the fools and the foolish. But director Nancy Bell’s take on the material is as refreshing as a spring breeze, and she’s got a cast that’s keen, with a knack for delivering the prose with clarity, making it more accessible and easier to follow along. Add to that an acoustic trio of musicians with original songs by a sweet-voiced Beth Bombara, a gilded age setting, and the always beguiling ambience of Shakespeare Glen, and you’ve got a show definitely worth checking out.

Forests tend to be transformative places in Shakespeare’s plays, and the Forest of Arden, unveiled after a simple but enchanting reveal, is no exception. There are lusty goatherds and lonely shepherds to spare in the woods, and it’s where many of the players retreat to after being exiled or to escape the perils of the city. The would-be lovers at the center are our heroine, Rosalind (Caroline Amos), lively and wise, and Orlando (Christian Thompson), stuck under the thumb of his older brother, Oliver (Greg Cuellar). Just as they start to fall for each other, Duke Frederick, Rosalind’s paranoid, usurping uncle, banishes her the same way he banished her mother, Duchess Senior (Michelle Hand), so Rosalind disguises herself as a boy and with her cousin and bestie, the Duke’s daughter, Celia (Jasmine Cheri Rush), along with the Duke’s fool, Touchstone (Ricki Franklin), they make their way to Arden. Meanwhile, Orlando learns that Oliver has some evil plans for him, so he, too, flees to the forest for his own safety.